Nimbus Mizar

An art frame. Not a screensaver.

Your streaming box can already put a picture on the screen when nobody's watching. This is a different thing: a display that stays on, that looks like art rather than like a television, running a library you actually manage — the same one on every other Nimbus frame in the house.

Coming soon What you'll need

Always on · your own photos and playlists · one account across every frame · any size screen

The honest comparison

“Can't my TV already do this?”

Sort of — and it's a fair question, so here's the straight answer. Every streaming box has an ambient or screensaver mode, and some of them are genuinely nice. They're solving a different problem.

A screensaver

  • Fills the gap until you use the TV — it's waiting, not displaying
  • Times out, or drops back to a home screen with rows of apps
  • Points at a photo album; there's nothing to schedule or arrange
  • Runs on a glossy panel that reads as a switched-on television
  • Each screen is its own island

An art frame

  • On because it's meant to be on — that's the whole job
  • No home screen, no inputs, no notifications, nothing to dismiss
  • Real playlists you build, order and schedule
  • On a matte panel rated to run all day, so it reads as artwork
  • Every frame in the house on one account, sharing one library
And if you own Meural Canvas frames, they can join the same account through the Nimbus Bridge — one library across the frames you already own and the displays you add.
The idea

Your art shouldn't be stuck to one screen.

Buy an art television and the art lives on that television — it can't move to the next room, and it stops when you replace the set. The Mizar works the other way round: the library is yours, and the display is a choice you can change.

What it is

  • A small always-on device that sits behind your display
  • Plugs in over HDMI — one power cord, one video cord
  • Your own photos and art, in playlists you arrange
  • Mosaics spanning several displays
  • One Nimbus account for every frame you own

What it isn't

  • Not a television — no tuner, no apps, no ads, no home screen
  • Not a screensaver waiting for you to press a button
  • Not tied to one panel — change the display in five years, keep everything
  • Not a project — it arrives configured, not as a kit to assemble
Recommended setup

What you'll need, and what we'd buy.

One Mizar drives a 4K display of almost any size — a 43″ on the wall or a 65″ centrepiece, the same device either way, as the video up top shows. But the display is what decides whether the result reads as art or as a television, so it's worth getting right. We recommend the Samsung QMC panels below — they're the ones we certify against, and the ones where every feature is guaranteed to work. Any other 4K screen will still show your art beautifully; a few extras like true backlight control may not be available, and if you bring your own we'll work with you to get the most out of it. We don't sell panels or mounts — you'll get them cheaper and faster from the usual places — but we tell you exactly what to buy.

[ Mizar behind a wall-mounted display — image to come ]
1

The display

Our reference panel is the Samsung QM43C — 43″, 4K, 500 nit, rated for 24/7 use, with an anti-glare matte finish. It's the panel we certify against and the one we have in hand. Around $626.

Model number to search for: LH43QMCEBGCXGO

Why a commercial panel and not a TV? Three things a living-room TV won't give you: a 24/7 duty rating (art is on all day; most TVs aren't built for it), a matte anti-glare surface — the single thing that makes a screen read as artwork rather than a screen — and no smart-OS home screen, nag prompts or ads between you and your art.

The panels we'd buy, by size
  • 43″ — Samsung QM43C, around $626. Our reference panel and the size that suits most rooms — the one we certify against and have in hand. Model LH43QMCEBGCXGO.
  • 55″ — Samsung QM55C. The same panel one size up, for a larger wall. Check current retail.
  • 65″ — Samsung QM65C. A living-room centrepiece for a bigger space. Check current retail.
  • Brighter, window-lit rooms — Samsung QH43C, roughly $920–$1,050. The 700-nit version of the 43″; otherwise identical. Only worth it next to a window.

Every one is Samsung's QMC commercial series — 4K, 500 nit, rated for 24/7 use, matte anti-glare, centred VESA. The line runs from 32″ up to 98″; 43″, 55″ and 65″ are the realistic choices for a home wall. Any 4K display with an HDMI input will work — but these are the ones we recommend and certify every feature against.

Two Samsung models to steer clear of. Both are easy to land on by accident because the names are so close.
QB43C — cheaper, but rated for under 16 hours a day. Running art on it around the clock can void the warranty.
QM32C — despite the family name it's 1080p, not 4K. Samsung's commercial line doesn't reach 4K until 43″.
Thinking of using the TV you already have? Go ahead — it will work, and it's the cheapest way to try this. Four things will be different, and we'd rather you hear them from us:
  • Gloss. Almost every consumer TV has a glossy screen. It mirrors the room, and a reflection is the single biggest thing that stops a picture reading as a painting.
  • The set still looks like a set. Wide glossy bezels, a badge, a standby light and a soundbar underneath all say “television” no matter what's on screen.
  • It'll interrupt. Smart-TV home screens, update prompts and “are you still watching?” overlays turn up in front of the art at some point.
  • It'll fight you. Ambient light sensors, eco dimming and motion smoothing are tuned for film and television, and they will quietly adjust artwork you wanted left alone.
[ Mizar and its power supply — image to come ]
2

Power

The Mizar runs from its own USB-C power supply, 5.1V / 3A, into a wall outlet. That's the second cord behind the panel — power and HDMI, both invisible once it's mounted.

Don't power it from the display's USB port. Signage panels supply only a few watts there, and the port usually switches off when the panel sleeps — which would take the Mizar down with it. Use the wall.
[ Wall-mounted display, Mizar tucked behind — image to come ]
3

Mounting

A standard VESA wall mount, sized for your panel. Commercial displays like the QMC series use a centred VESA pattern — check the mount lists your screen size, and the panel's manual for its exact pattern.

Leave room behind the panel. The Mizar sits behind the display as a small sidecar, so the mount you choose has to leave a gap for it. Ultra-slim “flush” or “low-profile” mounts often don't — they're designed to pull the screen as close to the wall as possible. A standard fixed or tilting mount gives you the clearance you need. The upside of the sidecar: the panel stays sealed and under warranty, because nothing goes inside it.
[ RS-232 control cable — image to come ]
4

Optional: a control cable

Out of the box, the Mizar dims the picture itself. That looks right, but it doesn't turn the backlight down — so a dark image in a dark room still glows a little.

An RS-232 control cable fixes that properly: real backlight control, plus the panel reporting back its own state. It's a 9-pin D-Sub to 3.5 mm stereo cable, and it needs one setting changed on the display.

This one depends on the screen. Backlight control and two-way status work on a compatible display — the Samsung QMC panels we recommend support it. Other screens vary: some do, some don't. Bring your own and we'll work with you to get it running as fully as your panel allows — and when a screen works well, we add it to the ones we recommend.

Nice to have, not required. Most people never fit one.

Worth knowing first

Commercial displays ask a few questions on first boot.

This is the one genuinely fiddly part, and we'd rather tell you now than let it surprise you. It takes about two minutes and you only do it once.

The first-boot setup, step by step
  • The panel opens an installer-style wizard: language, then network.
  • Set Installation Type to Manual.
  • Choose your rotation — portrait or landscape, whichever way you're hanging it.
  • Set Auto Power Off to Off, so the display doesn't shut itself down.
  • Set Primary Source to HDMI 1, and connect the Mizar to that input.
  • Some menus stay greyed out until the source is set to HDMI — that's normal, not a fault.
  • You can re-run the whole thing later from Menu → System → Start Setup.
Common questions

Before you go shopping.

Do I have to buy the Samsung you recommend?

No. Any 4K display with an HDMI input will work. The QM43C is simply the panel we test against and keep in the office, so it's the one we can vouch for without hedging.

Can I use a normal television?

Yes, and it will work. Two things to know: most consumer TVs are glossy, which reads as a screen rather than as art, and they aren't rated to run all day the way a commercial panel is.

Why don't you just sell me the display?

Because you'll do better buying it yourself. Panels are a commodity, shipping a 43″ screen is expensive and easy to damage, and prices move constantly. We'd rather tell you exactly what to get and let you shop for it.

Can I run more than one?

Yes — one Mizar per display, all in the same Nimbus account, and they can share a Mosaic across the wall just like our own frames do.

What does it cost to run?

Service is handled through your Nimbus account alongside any other frames you own. See the plans page for current pricing.

The Mizar is coming soon.

If you're planning a wall, the display recommendations above won't change — you can buy the panel and mount now and be ready.